The Transatlantic Slave Trade
Overview
The Development of the Trade
Capture and Enslavement
Traders and Trade
The Middle Passage
Africans in America
Ethnicities in the United States
The Suppression of the Slave Trade
Impact of the Slave Trade on Africa
Legacies in America
References
Links

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The slave trade and slavery left a legacy of violence. Brutality, often of near-bestial proportions, was the principal condition shaping the character of the enforced migration, whether along a trade route, on board ship, or laboring on an American plantation. The degree of power concentrated in the hands of North American slave owners, interested only in maximizing their profits, allowed excessive levels of physical punishment and the perpetuation of sexual abuse and exploitation that have marked in many ways the development of the African-American community.

There was a marked sexual component to the assaults: rape was common. Kinship was disregarded, particularly the paternity of children. Their status reflected the enslaved status of their mothers, no matter who their father might have been. Slave owners treated their unpaid, overworked labor forces as mere chattel.

Avoiding and resisting violence were determining characteristics of the responses of the Africans to their forced migration experience. Individuals attempted to evade physical abuse through strategies of accommodation, escape, and on several occasions, violent rebellion. The preservation and adaptation of African cultural forms to respond to the new needs of the enslaved population was also an act of resistance to the imposition of European norms.

Newspaper Advertisements for African Runaways in the Eighteenth CenturyGeorgia GazetteNewspaper Advertisements for African Runaways in the Eighteenth Century from Georgia Gazette
A journal of the proceedings in the detection of the conspiracy formed by some white people, in conjunction with negro and other slaves, for burning the city of New-York in America, and murdering the inhabitantsA journal of the proceedings in the detection of the conspiracy formed by some white people, in conjunction with negro and other slaves, for burning the city of New-York in America, and murdering the inhabitants by Daniel Horsmandenon

Unlike earlier slave systems, in the Americas racial distinctions were used to keep the enslaved population in bondage. Contrary to what happened in Latin America, where racial stratification was more complex, in North America, any person of identifiable African descent, no matter the degree of "white" ancestry, was classified as colored, Negro, or black. A racial caste system was established, and as a result racialized attitudes and racism became an inherent and lasting part of North American culture.

A Resistance Too Civilized to Notice     , Chapter 3Black Legacy: America's Hidden HeritageA Resistance Too Civilized to Notice , Chapter 3 from Black Legacy: America's Hidden Heritage by William Dillon Piersen

Though enslaved individuals came from widely different backgrounds and the number of ethnic groups and markers of identity were extensive, certain ethnicities, cultural forms, and languages - usually in pidgin and creolized forms - as well as religions proved sustainable and were maintained, sometimes exaggerated and manipulated during the process of adjusting to enslavement in the Americas.

The overarching result of African migration during the slavery era was an "American" culture, neither "European" nor "African," created in a political and economic context of inequality and oppression. The African contribution to this new culture was a towering legacy, hugely impacting on language, religion, music, dance, art, and cuisine. Most importantly, an enduring sense of African-American community developed in the face of white racism.

ExcerptThe Afro-American Tradition in Decorative ArtsExcerpt from The Afro-American Tradition in Decorative Arts by John Michael Vlach
Steppin' on the Blues: The Visible Rhythms of African American DanceSteppin' on the Blues: The Visible Rhythms of African American Dance by Jacqui Malone
Some Characteristics of the Blues     , Chapter 6Africa and the BluesSome Characteristics of the Blues , Chapter 6 from Africa and the Blues by Gerhard Kubik

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